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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36) oil painting

Painting ID::  24970

X 
 

Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
1468 Paris,Musee du Louvre
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo Justice (mk36) oil painting

Painting ID::  24971

X 
 

Sandro Botticelli
Piero del Pollaiolo Justice (mk36)
c.1470 Florence ,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo (mk36) oil painting

Painting ID::  24972

X 
 

Sandro Botticelli
Piero del Pollaiolo (mk36)
c.1470 Florence,Galleria DEGLI uFFZI
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo Hope (mk36) oil painting

Painting ID::  24973

X 
 

Sandro Botticelli
Piero del Pollaiolo Hope (mk36)
c.1470 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo Faith (mk36) oil painting

Painting ID::  24974

X 
 

Sandro Botticelli
Piero del Pollaiolo Faith (mk36)
c.1470 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Fortitude (mk36) oil painting

Painting ID::  24975

X 
 

Sandro Botticelli
Fortitude (mk36)
1470 Florence ,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Details of Fortitude (mk36) oil painting

Painting ID::  24976

X 
 

Sandro Botticelli
Details of Fortitude (mk36)
c.1472 Florence,Galleria deglu Uffizi
   
   
     

 

 

Sandro Botticelli Discovery of the Body of Holofernes (mk36) oil painting

Painting ID::  24977

X 
 

Sandro Botticelli
Discovery of the Body of Holofernes (mk36)
c.1472 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Return of Judith to Betulia (mk36) oil painting

Painting ID::  24978

X 
 

Sandro Botticelli
Return of Judith to Betulia (mk36)
c.1472 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Antonio del Pollaiolo Hercules and Antaeus (mk36) oil painting

Painting ID::  24979

X 
 

Sandro Botticelli
Antonio del Pollaiolo Hercules and Antaeus (mk36)
c.1745 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Antonio del Pollaiolo,Hercules and the Hydra (mk36) oil painting

Painting ID::  24980

X 
 

Sandro Botticelli
Antonio del Pollaiolo,Hercules and the Hydra (mk36)
c.1475 Florence,Galleri degli Uffizi
   
   
     

 

 

Sandro Botticelli Discovery of the Body of Holofernes (mk36) oil painting

Painting ID::  24981

X 
 

Sandro Botticelli
Discovery of the Body of Holofernes (mk36)
c.1472 Florence,Galleria degli Uffizi.
   
   
     

 

 

Sandro Botticelli Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36) oil painting

Painting ID::  24982

X 
 

Sandro Botticelli
Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36)
c.1475 London,National Gallery
   
   
     

 

 

Sandro Botticelli St Sebastian (mk36) oil painting

Painting ID::  24983

X 
 

Sandro Botticelli
St Sebastian (mk36)
c.1473 Berlin,Staatliche Museen
   
   
     

 

 

Sandro Botticelli Adoration of the Magi (mk36) oil painting

Painting ID::  24984

X 
 

Sandro Botticelli
Adoration of the Magi (mk36)
1472-1474 London,National Gallery
   
   
     

 

 

Sandro Botticelli Madonna enthroned with Child and Saints (mk36) oil painting

Painting ID::  24985

X 
 

Sandro Botticelli
Madonna enthroned with Child and Saints (mk36)
1470-1472 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Portrait of a Young Man (mk36) oil painting

Painting ID::  24986

X 
 

Sandro Botticelli
Portrait of a Young Man (mk36)
1470-1473 Florence,Palazzo pitti,Galleria Palatina
   
   
     

 

 

Sandro Botticelli Portrait of Smeralda Brandini (mk36) oil painting

Painting ID::  24987

X 
 

Sandro Botticelli
Portrait of Smeralda Brandini (mk36)
1470-1472 London,Victoria and Albert Museum
   
   
     

 

 

Sandro Botticelli Hans Memling,Man with a Medal (mk36) oil painting

Painting ID::  24988

X 
 

Sandro Botticelli
Hans Memling,Man with a Medal (mk36)
c.1480 Antwerp,Koninklijk Museum voor Schone Kunsten
   
   
     

 

 

Sandro Botticelli Portrait of a Youth with a Medal (mk36) oil painting

Painting ID::  24989

X 
 

Sandro Botticelli
Portrait of a Youth with a Medal (mk36)
c.1475 Florence,Galleria degli Uffizi
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s